Guide to the Green Lantern Corps - Part 1

Green Lantern is just one week away. Its time for a crash course on the members of the Green Lantern Corps with images from the official website.

Hal Jordan


Amanita


Apros


Boodikka

Lantern Constructs Galore

This ad has brick walls, race cars, race tracks, springs, and jets. I am really excited that they committed to the construct thing. They could have wussed out and just done green lasers, but this is really getting serious! Now the question that remains is will there be a green mecha?

Green Lantern: Emerald Knights Ranked and Reviewed

In one sense, Green Lantern: Emerald Knights succeeded in what it set out to do; that is, the movie primed casual fans on some of the alien Green Lantern Corps members and introduced the deeper Green Lantern mythology. By focusing on the back stories of five alien corpsmen, it is implied that each and every Green Lantern has a story to tell. And while this film is infinity more cohesive than the previous anthology, Gotham Knight , it felt more like a holdover between the epic presentations of All-Star Superman and Batman: Year One than an event of its own. The other movie it reminded me of was Superman Batman: Apocalypse which was so full of amazingly choreographed and brutal fight sequences that there wasn't much room left for the characters.

Being a huge fan of Green Lantern, I honestly wouldn't mind another volume like this, giving some of my favorite lesser known Lanterns a chance to shine (What might be really great is a Tales of the Corps movie featuring Red, Blue, and Yellow Lanterns and of course Larfleeze. ). So, while the anthology concept may be sound, the execution fell a bit flat. The problem was that the choice of spotlights seemed a bit random. The movie would have benefited from the main tale better incorporating the spotlighted characters, or at least elements from the various tales. Also, I do not understand why Arisia didn't get her own flashback. She was the focus of the movie, but all she did was get lectured to for most of the film. Not showing her moment of receiving her ring was unforgivable. In general, knowing very little about the main character isn't a great decision. On that point, I understand that Hal Jordan's inclusion was mandated, but it wasn't really necessary or even well utilized.

In any case, some of the story choices played out better than others. I really enjoyed the The First Lantern featuring Avra, a Lantern that I am pretty sure was created for this movie. This story was as much about the ring as it was Avra and I captured some of the excitement of the ring's vast potential. Next up was Kilowog who of any non-Earth based Lantern was most deserving to finally get his own tale. Again, this was pretty enjoyable and gave a good insight into training to be a Lantern. The third tale, Laira, was a bit of a turning point. Although the fights were good, I just didn't know enough about Laira to really care. On top of that, it seemed the most shoehorned into the main story. Mogo Doesn't Socialize was also a waste; maybe its just because I think the whole idea of Mogo is kind of lame. Anyways, at least the segment opened with some awesome dismembering AND and least Mogo did play into the main story. Abin Sur was next to get the spotlight and the real highlight here was the inclusion of Atrocitus and a peek at the Corps future fighting the Sinestro Corp. However, since Abin Sur was dead, his spotlight was kind of pointless.

As for the main story featuring Krona, I really enjoyed it up until the resolution. The way he was defeated was, in my opinion, completely idiotic. Krona himself was visually spectacular as was most of the movie. It was just too much flash and not enough substance. It would have been great for Kilowog and Laira to have been much more significant in the movie's climax than they were. Green Lantern: Emerald Knights is definitely fun and is by no stretch bad, but I can't imagine it being anyone's favorite DC animated movie. Here is how I believe it compares:

#18 Superman: Brainiac Attacks belongs at the bottom of any list as it is a horrible and horribly disappointing movie. The movie has plenty of punching but remains irritatingly boring. Lex Luthor is given one of the character's worst interpretations and most egregious, the movie used the look of the Superman: The Animated Series to try and sell a subpar and unrelated Superman story. Of all the movies on the list this is the one that really has no significant redeeming qualities.

#17 Batman: Gotham Knight at least has style on its side, but little else. Gotham Knight promised a mature bridge between Batman Begins and The Dark Knight and delivered a hodgepodge of freakish Batman designs loosely connected with a story that doesn't deserve to be remembered. It pains me greatly that I didn't fall in love with this Batmanime, but try as I might, even on attempted repeat viewing I haven't been able to invest in this stylish mess.

#16 Teen Titans: Trouble in Tokyo is a serviceable outing that falls short of the series best episodes. The movie really doesn't stand on its own either, offering fans one last dose of Titans rather than delivering a solid story to general audiences. A stronger villain would have gone a long way to saving this movie, but as it is, the final product is a fair amount of blah.

#15 Batman: Mystery of the Batwoman comes in as one of the less memorable Batman films. The actual mystery is somewhat interesting but the movie doesn't escape the feeling that it was stuck with leftover villains Penguin and Bane, two of Batman: The Animated Series weakest foes. Maybe The Dark Knight Rises will propel Bane to the A-list, but in this movie he will still seem like just a goon.

#14 Batman vs Dracula just may be the best thing that came out of The Batman. The movie has a surprisingly darker tone than the series and manages to pull off an interesting showdown with "the original Batman." The long capes and animation style also worked well here in a movie that should not just be written off by critics of The Batman.

#13 Superman Batman: Apocalypse was technically the first sequel in the DC animated movie line, but aside from few token bits of background there was really no connection to Public Enemies. This movie is essentially none of the fun of Public Enemies but twice the action. Apocalypse dropped the light camaraderie of Public Enemies in favor of serious and intense fight sequences. In fact, the movie plays more as a series of fantastic action sequences than as a story with any sort of emotional connection. In any case, this was certainly not a worthy follow up to the previous entry, Batman: Under the Red Hood, but hey, they cant all be home runs. Sometimes you have to settle for a solid double.

#12 Batman & Mr. Freeze: SubZero bests the similarly plotted Batman and Robin live action movie hands down. Having said that, the movie although enjoyable, doesn't quite seem to escape feeling like an extended episode of the TV series. Granted, the series was awesome, but this entry failed to raise the stakes to a whole new level.

#11 Superman Batman: Public Enemies though on the low side of the countdown was still an enjoyable romp. While Gotham Knight was just dumb, this is dumb fun. As an adaptation of the comic book, this was very faithful, maintaining many of even the most obscure cameos with designs that were spot on (for better or worse). While the story certainly wasn't deep, the movie delivered with one showdown after another. Actually, the plot points that deviated from the comic were welcome improvements. Consider this the Twinkie (or maybe the Suzy Q) of the DC line. I wouldn't want to eat seven of them in a row, but one now and then hits the spot. In fact, my appreciation for this movie has grown ever so slightly since its release while I still haven't found that soft spot for Apocalypse.

#10 Superman: Doomsday was awfully ambitious in trying to tell the whole death and return of Superman story in a single outing. While the death part was done well, the retelling of Rise of the Supermen arc felt like a cheat. Instead we were basically given a retooled Identity Crisis episode from Superman: The Animated Series. Having said that, without comparison to the original comic or comparison to the animated series tale, this story is enjoyable enough. I probably like this one more than most, maybe I just like mullet Superman. Or maybe it is just the epic way that the opening fight with Doomsday introduced DCs new line movies making me forget just how bad was Brainiac Attacks.

#9 Green Lantern: Emerald Knights ranks highly among DC's "good" movies, but feels more like a diversion than a complete movie. Although it was fantastic seeing so many Lanterns and amazing having some of the alien Lanterns finally getting their own focus, the anthology structure kept the movie from being as epic as First Flight. Great animation, choreography, and fan service make this a worthwhile film, but without the heart of some of DC's greats, this one lands somewhere in the middle of the pack.

#8 Batman: Mask of the Phantasm is the only one of these movie to have received a theatrical release and although it is a great movie, I am just not as won over as some. I really enjoy the first half of the movie, in particular I enjoy the flashback sequences which show Batman beginning as well as any scene in Batman Begins. The movie's last act just doesn't do it for me as the inclusion of the usually welcome Joker seems too shoehorned in. Don't take my criticism too harshly; this is a solid movie, but for my money, there are a few better.

#7 Justice League: The New Frontier was a bit of a letdown on first viewing. There was something noble and nostalgic about the setup but the climax involving a dinosaur spewing flying island was a bit much to swallow. Since then, the movie has grown on me. I realized that the final villain wasn't really the point (though a better foe would have bumped this one up); the movie was about the dawn of a new age of heroism. I really appreciate that even though this is a Justice League film, it was Green Lantern, Flash, and the Martian Manhunter that really drove the story. Those three have never seemed so heroic.

#6 Batman Beyond: Return of the Joker can make a believer out of those who say Batman Beyond is a lame concept. What would Batman be without The Joker? This movie shows how the Joker legacy haunted Bruce Wayne even after his apparent death and gave the new hero a chance to prove his worthiness of the title of Batman. Plus, there were plenty of flashbacks to the good ol' Batman and Robin days as well.

#5 Justice League: Crisis on Two Earths offered a a briskly paced alternate reality adventure. Highlights of the film were pretty much everything to do with Owlman including his diabolical scheme, his jet, and his main squeeze. Also enjoyable were the evil versions of heroes, particularly notoriously unpopular members of the Justice League Detroit.

#4 Wonder Woman was a real surprise. Unfortunately a lot of people think Wonder Woman is outdated and lame but this movie proved that a big budget Wonder Woman movie could be pretty great. Wondy offered the most violent outing of the bunch (well maybe second to Gotham Knight- both had beheadings) but was well balanced with humor. Of all the movies, this one exceeding my expectations the most.

#3 Green Lantern: First Flight finally gave the Green Lantern his own title and proved that GL deserves to be up there front and center. This space based action movie has a setting distinct from the other DC and even Marvel DVDs and in my opinion is begging for a sequel. Nevertheless, this movie felt like more than just a setup for another movie, a trap that many origin stories fall into. I would have liked a few more minutes of setup at the beginning giving Hal Jordan a bit more character, but overall this was a solid and polished movie.

#2 All Star Superman oozes reverence for the Man of Steel. Fans are going to gripe that their favorite scene from the graphic novel didn't make the cut, but what did make it into this film is the novel's ability to give Superman humanity. Its not just what Superman can do, but what he inspires in others that places him at the top of the pantheon of heroes. And in the end, even Lex Luthor learns that lesson. Just like Under the Red Hood captures the essence of Batman, All Star Superman is the quintessential Superman story, and the best Superman show in at least 30 years.

#1 Batman: Under the Red Hood joins this list at the top spot. Perhaps it will settle into a lower position over time, but I was really blown away by the grit and emotion of this movie. It also didn't hurt that it looked fantastic. Even though I was expecting the movie to be hurt because the identity of Red Hood was pretty obvious, I really don't think it was. This was one well crafted and slick tale that stuffed no less than five supervillains into a sleek 75 minutes. Stories like this is why Batman remains DC's most popular.

Check out my ranking of the Marvel movies here.

Batmen of All Ages Unite in Homage to Bruce Wayne's Return

Not only are there various Batmen scattered across the mulitverse, but throughout time as well. The pending TV release episode of Batman: The Brave and the Bold titled Time Out for Vengeance! has debuted online and once again demonstrated the show's reverence for the Caped Crusader. This episode saw the JLI travel though time to protect Batmen throughout history including some inspired by the 2010 Return of Bruce Wayne story arc. Batmen included Caveman Batman, Pirate Batman, Roman Batmanicus, and a Robot Batman of the Future. Neat!

Crisis Clue #2

for supermen of all seasons, it's coming...

Wolverine-less X-Men: First Class Declawed at the Box Office

Owing to the poor reputation of X-Men Origins: Wolverine along with the absence (almost) of Wolverine in this film, X-Men: First Class opened to a relatively soft $56 million. For comparison the original X-Men opened to $54 million 11 years ago. X-Men: The Last Stand, the series biggest earner, opened to $102 million in 2006. What this means is that X:Men: First Class may struggle to keep the X- Franchise alive in its current form in spite of favorable reviews. Perhaps producers should offer up a true reboot rather than trying to have their cake and eat it too with an in-continuity (kind of) pseudo reboot/prequel without most of the fan favorite mutants.

The opening positions X-Men behind Thor for opening weekend take and places the mutants on a trajectory to finish behind Thor, just like I predicted. Thor scooped up another $4 million lifting its domestic total to $169 million.